Thirty Days in September, commissioned by RAHI, a support group for women and survivors of incest, is a “strong stand-alone piece of dramatic work” on child sexual abuse. It has touched hearts and consciences everywhere. Sensitive and powerful without ever offending sensibilities, it manages to bring home the horror and the pain within the framework of a very identifiable mother-daughter relationship between Shanta and Mala. “Peter Brooks once said that if a play did not Provoke and disturb the audience, it wasn’t worth doing.” “I don’t think there could be a better way to put it.” – Lillette Dubey